Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Works: 51–100 / 269
| Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
Alonso Remón Probable | Comedia | |||
Luis de Belmonte Bermúdez Secure | Comedia | |||
| La conquista de Toledo | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Coloquio | |||
| Desdicha venturosa |La confusa Ingalaterra | The analysis does not point to any author | Comedia | ||
Cepeda Probable | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| La conversión de San Dionisio | The analysis does not point to any author | Auto | ||
| The analysis does not point to any author | Comedia | |||
Gaspar de Aguilar Probable | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| Lupercia constante | Miguel Sánchez Probable | Comedia | ||
| El respeto al sacerdote y sacrilegio vengado | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| Auto sacramental y comedia décima, delicado y muy subido de buena y santa doctrina | The analysis does not point to any author | Auto | ||
| The analysis does not point to any author | Comedia | |||
| El desagravio de un duelo por la más noble belleza | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| De un yerro nacen mil yerros y don Artal de Aragón | Comedia | |||
| La devoción de las ánimas | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Dialogue | |||
| No hay mal que por bien no venga | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
José de Cañizares Probable | Comedia | |||
| The analysis does not point to any author | Coloquio | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| La muerte de Viriato | The analysis does not point to any author | Comedia | ||
| El engaño en la victoria | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| La envidia de Luzbel por haberse Dios humanado | The analysis does not point to any author | Auto | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| La española de Milán | The analysis does not point to any author | Comedia |