Unknown author
Works: 201–250 / 269
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Probable
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Zarzuela
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution
Luis de Belmonte Bermúdez Secure
Genre Comedia
Resources
Title
Ser noble por fantasía y marqués del Madroñal (segunda jornada)
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution
José Antonio García de Prado Probable
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Probable
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Resources
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Resources
| Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|
Gaspar de Aguilar Secure | Comedia | |||
Cepeda Probable | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| El duque de Osuna (primera parte) | Lope de Vega Carpio Probable | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| Comedia sin título (Fragmento) (Emp.: Y dos veces lo digo) | The analysis does not point to any author | Comedia | ||
| La infanta Leónida | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| Comedia de San Ginés | Cepeda Probable | Comedia | ||
| The analysis does not point to any author | Zarzuela | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| La vida de santa Catalina de Siena | The analysis does not point to any author | Comedia | ||
| The analysis does not point to any author | Comedia | |||
Luis de Belmonte Bermúdez Secure | Comedia | |||
| Ser noble por fantasía y marqués del Madroñal (segunda jornada) | The analysis does not point to any author | Comedia | ||
José Antonio García de Prado Probable | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
Lope de Vega Carpio Probable | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Auto | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Comedia | |||
| Las tres finezas del mayor amante y el Séneca espiritual | The analysis does not point to any author | Auto | ||
| The analysis does not point to any author | Comedia | |||
| The analysis does not point to any author | Auto |
