Stylometric analysis of El sitio de Bredá
- Traditional attribution
- Work attributed to Pedro Calderón de la Barca.
- Genre
- Comedia
- Source
- El texto procede de la BVMC (Alicante, 2001).
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.680 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.684 | No es posible Inconclusive | Comedia | |||
| 3ª | 0.695 | Fiesta | ||||
| 4ª | 0.704 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.710 | Lope de Vega Carpio Secure | Comedia | |||
| 6ª | 0.716 | Lope de Vega Carpio Secure | Comedia | |||
| 7ª | 0.721 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.722 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 9ª | 0.725 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.725 | Comedia | ||||
| 11ª | 0.725 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.725 | Pedro Calderón de la Barca Secure | Comedia | |||
| 13ª | 0.728 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.728 | Lope de Vega Carpio Probable | Comedia | |||
| 15ª | 0.729 | Comedia | ||||
| 16ª | 0.729 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.730 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 18ª | 0.732 | Lope de Vega Carpio Secure | Comedia | |||
| 19ª | 0.732 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 20ª | 0.734 | Comedia | ||||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.848 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.859 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.861 | Fiesta | ||||
| 4ª | 0.865 | Luis Vélez de Guevara Secure | Comedia | |||
| 5ª | 0.868 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.868 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 7ª | 0.868 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.868 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 9ª | 0.870 | Comedia | ||||
| 10ª | 0.871 | Comedia | ||||
| 11ª | 0.875 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.879 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.880 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.882 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.882 | Comedia | ||||
| 16ª | 0.888 | Tirso de Molina Secure | Comedia | |||
| 17ª | 0.888 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 18ª | 0.889 | Lope de Vega Carpio Secure | Comedia | |||
| 19ª | 0.890 | Tirso de Molina Secure | Comedia | |||
| 20ª | 0.890 | Luis Vélez de Guevara Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.839 | Lope de Vega Carpio Secure | Comedia | |||
| 2ª | 0.840 | Lope de Vega Carpio Secure | Comedia | |||
| 3ª | 0.842 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.851 | Comedia | ||||
| 5ª | 0.862 | Lope de Vega Carpio Secure | Comedia | |||
| 6ª | 0.862 | Pedro Calderón de la Barca Secure | Comedia | |||
| 7ª | 0.864 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.867 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.869 | Lope de Vega Carpio Secure | Comedia | |||
| 10ª | 0.870 | Las tres edades de España | Pedro Calderón de la Barca Secure | Comedia | ||
| 11ª | 0.870 | Pedro Calderón de la Barca Secure | Comedia | |||
| 12ª | 0.870 | Matías de los Reyes Secure | Comedia | |||
| 13ª | 0.871 | Comedia | ||||
| 14ª | 0.872 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 15ª | 0.874 | Fiesta | ||||
| 16ª | 0.874 | Comedia | ||||
| 17ª | 0.875 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.875 | Gaspar de Ávila Secure | Comedia | |||
| 19ª | 0.876 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.877 | Comedia | ||||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.842 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.850 | Fiesta | ||||
| 3ª | 0.852 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.881 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.884 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.890 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 7ª | 0.900 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.903 | Juan de Matos Fragoso Probable | Comedia | |||
| 9ª | 0.904 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 10ª | 0.906 | No es posible Inconclusive | Comedia | |||
| 11ª | 0.907 | Francisco González de Bustos Probable | Comedia | |||
| 12ª | 0.912 | Pedro Calderón de la Barca Secure | Comedia | |||
| 13ª | 0.914 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.915 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.916 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.918 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 17ª | 0.920 | Tirso de Molina Secure | Comedia | |||
| 18ª | 0.920 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.922 | No es posible Inconclusive | Auto | |||
| 20ª | 0.923 | Antonio Fajardo y Acevedo Secure | Comedia | |||
Results
The stylometric analyses allow this work to be associated with the authorial profile of Pedro Calderón de la Barca, because some of their works appear in the first positions, although not conclusively.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
