Stylometric analysis of El encubierto
- Traditional attribution
- Work attributed to Diego Jiménez de Enciso.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un impreso.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.755 | Antonio Manuel del Campo Probable | Comedia | |||
| 2ª | 0.762 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.766 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.766 | El gran duque de Florencia | The analysis does not point to any author | Comedia | ||
| 5ª | 0.768 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.770 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.773 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.773 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.776 | Antonio de Zamora Secure | Comedia | |||
| 10ª | 0.778 | Antonio Manuel del Campo Secure | Comedia | |||
| 11ª | 0.779 | Lope de Vega Carpio Secure | Comedia | |||
| 12ª | 0.781 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.781 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 14ª | 0.781 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.782 | Lope de Vega Carpio Secure | Comedia | |||
| 16ª | 0.784 | Antonio de Zamora Secure | Comedia | |||
| 17ª | 0.785 | Lope de Vega Carpio Secure | Comedia | |||
| 18ª | 0.789 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.791 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable | Comedia | |||
| 20ª | 0.791 | Álvaro Cubillo de Aragón Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.906 | La mayor hazaña del emperador Carlos V | Diego Jiménez de Enciso Secure | Comedia | ||
| 2ª | 0.913 | Diego Jiménez de Enciso Probable | Comedia | |||
| 3ª | 0.914 | Lope de Vega Carpio Secure | Comedia | |||
| 4ª | 0.922 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.925 | Diego Jiménez de Enciso Secure | Comedia | |||
| 6ª | 0.932 | Antonio de Zamora Secure | Comedia | |||
| 7ª | 0.932 | Lope de Vega Carpio Secure | Comedia | |||
| 8ª | 0.934 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.935 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.936 | Comedia | ||||
| 11ª | 0.936 | No es posible Inconclusive | Auto | |||
| 12ª | 0.937 | Lope de Vega Carpio Probable | Comedia | |||
| 13ª | 0.937 | Andrés de Claramonte y Corroy Probable | Comedia | |||
| 14ª | 0.938 | Lope de Vega Carpio Secure | Comedia | |||
| 15ª | 0.939 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.941 | Comedia | ||||
| 17ª | 0.941 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.941 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.942 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.944 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.975 | Antonio de Zamora Secure | Comedia | |||
| 2ª | 0.978 | Antonio de Zamora Secure | Comedia | |||
| 3ª | 0.978 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.986 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.994 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.994 | José de Arroyo Secure | Comedia | |||
| 7ª | 0.994 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable | Comedia | |||
| 8ª | 0.995 | Antonio Manuel del Campo Secure | Comedia | |||
| 9ª | 0.998 | Juan Bautista Diamante Secure | Comedia | |||
| 10ª | 0.998 | El gran duque de Florencia | The analysis does not point to any author | Comedia | ||
| 11ª | 1.000 | The analysis does not point to any author | Comedia | |||
| 12ª | 1.001 | The analysis does not point to any author | Comedia | |||
| 13ª | 1.002 | Juan Pérez de Montalbán Probable ANDPedro Calderón de la Barca Probable | Comedia | |||
| 14ª | 1.002 | Andrés González de Barcia Probable | Comedia | |||
| 15ª | 1.003 | No es posible Inconclusive | Comedia | |||
| 16ª | 1.003 | The analysis does not point to any author | Comedia | |||
| 17ª | 1.004 | The analysis does not point to any author | Comedia | |||
| 18ª | 1.004 | Antonio Manuel del Campo Probable | Comedia | |||
| 19ª | 1.004 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 20ª | 1.004 | No es posible Inconclusive | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.895 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.897 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.903 | Antonio Manuel del Campo Probable | Comedia | |||
| 4ª | 0.913 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.917 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 6ª | 0.924 | Dejar un reino por otro | Cristóbal de Monroy y Silva Secure | Comedia | ||
| 7ª | 0.931 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 8ª | 0.932 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.934 | El conde de Irlos | Álvaro Cubillo de Aragón Probable | Comedia | ||
| 10ª | 0.935 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.936 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.936 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.938 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.938 | Álvaro Cubillo de Aragón Probable | Comedia | |||
| 15ª | 0.939 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.940 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.940 | Comedia | ||||
| 18ª | 0.943 | Antonio de Zamora Secure | Comedia | |||
| 19ª | 0.946 | Tirso de Molina Probable | Comedia | |||
| 20ª | 0.946 | Luis de Belmonte Bermúdez Secure | Comedia | |||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
