Stylometric analysis of A un traidor dos alevosos
- Traditional attribution
- Work attributed to Miguel González de Cunedo.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de Nuevas escogidas.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.672 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.679 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.684 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.696 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.697 | Lope de Vega Carpio Secure | Comedia | |||
| 6ª | 0.700 | Antonio Manuel del Campo Probable | Comedia | |||
| 7ª | 0.700 | Antonio Manuel del Campo Secure | Comedia | |||
| 8ª | 0.700 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.700 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.701 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.702 | La hija de Jepté | Antonio Mira de Amescua Probable | Comedia | ||
| 12ª | 0.703 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.706 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.706 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.709 | Matías de los Reyes Secure | Comedia | |||
| 16ª | 0.712 | Luis Vélez de Guevara Probable | Comedia | |||
| 17ª | 0.714 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.715 | Lope de Vega Carpio Secure | Comedia | |||
| 19ª | 0.719 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.720 | José de Arroyo Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.839 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.851 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 3ª | 0.854 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.857 | Lope de Vega Carpio Secure | Comedia | |||
| 5ª | 0.858 | Álvaro Cubillo de Aragón Probable | Comedia | |||
| 6ª | 0.859 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.860 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 8ª | 0.862 | Luis de Belmonte Bermúdez Probable | Comedia | |||
| 9ª | 0.863 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 10ª | 0.863 | Antonio Manuel del Campo Probable | Comedia | |||
| 11ª | 0.864 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.867 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.868 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.868 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 15ª | 0.869 | No es posible Inconclusive | Comedia | |||
| 16ª | 0.869 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.870 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.870 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.871 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.872 | Comedia | ||||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.861 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.891 | La hija de Jepté | Antonio Mira de Amescua Probable | Comedia | ||
| 3ª | 0.892 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.894 | Lope de Vega Carpio Secure | Comedia | |||
| 5ª | 0.894 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.897 | José de Arroyo Secure | Comedia | |||
| 7ª | 0.898 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.900 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.900 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.902 | The analysis does not point to any author | Auto | |||
| 11ª | 0.903 | No es posible Inconclusive | Comedia | |||
| 12ª | 0.906 | Juan de Matos Fragoso Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 13ª | 0.907 | Lope de Vega Carpio Probable | Comedia | |||
| 14ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.911 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.914 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| 18ª | 0.914 | Lope de Vega Carpio Secure | Comedia | |||
| 19ª | 0.916 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.916 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.896 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.905 | Lope de Vega Carpio Secure | Comedia | |||
| 3ª | 0.906 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.908 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.908 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.910 | Matías de los Reyes Secure | Comedia | |||
| 7ª | 0.912 | Luis Vélez de Guevara Probable | Comedia | |||
| 8ª | 0.914 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.914 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.916 | Matías de los Reyes Secure | Comedia | |||
| 11ª | 0.919 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.921 | Diego Jiménez de Enciso Secure | Comedia | |||
| 13ª | 0.922 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.922 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.922 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.925 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.925 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.926 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.932 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.933 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses do not allow the association of this work with the authorial profile of the traditional author to be evaluated, because the comparison corpus is too small. Nor do they clearly identify an alternative authorial proscheda.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
