Stylometric analysis of Marco Antonio y Cleopatra
- Traditional attribution
- Work attributed to Diego López de Castro.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un manuscrito.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.894 | Ángela de Acevedo Secure | Comedia | |||
| 2ª | 0.895 | Ángela de Acevedo Secure | Comedia | |||
| 3ª | 0.903 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.906 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.912 | Antonio García de Prado Secure | Comedia | |||
| 7ª | 0.912 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.915 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| 9ª | 0.915 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.915 | José de Cañizares Probable | Comedia | |||
| 11ª | 0.922 | Lope de Vega Carpio Secure | Comedia | |||
| 12ª | 0.924 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| 13ª | 0.925 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.926 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.931 | Las burlas veras | The analysis does not point to any author | Comedia | ||
| 19ª | 0.932 | Juan de Zabaleta Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 20ª | 0.932 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.248 | The analysis does not point to any author | Comedia | |||
| 2ª | 1.251 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.260 | The analysis does not point to any author | Comedia | |||
| 4ª | 1.262 | No es posible Inconclusive | Comedia | |||
| 5ª | 1.262 | No es posible Inconclusive | Comedia | |||
| 6ª | 1.271 | Ángela de Acevedo Secure | Comedia | |||
| 7ª | 1.272 | Diego Calleja (Otro) Secure | Diálogo | |||
| 8ª | 1.275 | Ángela de Acevedo Secure | Comedia | |||
| 9ª | 1.277 | Rodrigo Pacheco Secure | Comedia | |||
| 10ª | 1.277 | The analysis does not point to any author | Comedia | |||
| 11ª | 1.278 | No es posible Inconclusive | Comedia | |||
| 12ª | 1.279 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| 13ª | 1.285 | Agustín Moreto y Cavana Secure | Comedia | |||
| 14ª | 1.285 | No es posible Inconclusive | Comedia | |||
| 15ª | 1.285 | The analysis does not point to any author | Auto | |||
| 16ª | 1.288 | The analysis does not point to any author | Comedia | |||
| 17ª | 1.288 | Andrés González de Barcia Secure | Comedia | |||
| 18ª | 1.290 | No es posible Inconclusive | Comedia | |||
| 19ª | 1.290 | No es posible Inconclusive | Comedia | |||
| 20ª | 1.290 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.202 | The analysis does not point to any author | Comedia | |||
| 2ª | 1.208 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.216 | The analysis does not point to any author | Comedia | |||
| 4ª | 1.220 | The analysis does not point to any author | Auto | |||
| 5ª | 1.232 | The analysis does not point to any author | Comedia | |||
| 6ª | 1.236 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.236 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.242 | No es posible Inconclusive | Auto | |||
| 9ª | 1.242 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.245 | The analysis does not point to any author | Comedia | |||
| 11ª | 1.246 | The analysis does not point to any author | Comedia | |||
| 12ª | 1.248 | No es posible Inconclusive | Comedia | |||
| 13ª | 1.248 | The analysis does not point to any author | Comedia | |||
| 14ª | 1.248 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.249 | The analysis does not point to any author | Comedia | |||
| 16ª | 1.250 | The analysis does not point to any author | Auto | |||
| 17ª | 1.251 | Miguel de Cervantes Saavedra Secure | Comedia | |||
| 18ª | 1.252 | No es posible Inconclusive | Comedia | |||
| 19ª | 1.253 | The analysis does not point to any author | Comedia | |||
| 20ª | 1.253 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.032 | No es posible Inconclusive | Comedia | |||
| 2ª | 1.034 | Antonio García de Prado Secure | Comedia | |||
| 3ª | 1.035 | Lope de Vega Carpio Secure | Comedia | |||
| 4ª | 1.036 | The analysis does not point to any author | Comedia | |||
| 5ª | 1.047 | José de Cañizares Probable | Comedia | |||
| 6ª | 1.048 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.050 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.050 | The analysis does not point to any author | Comedia | |||
| 9ª | 1.052 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.052 | The analysis does not point to any author | Comedia | |||
| 11ª | 1.054 | No es posible Inconclusive | Comedia | |||
| 12ª | 1.055 | Ángela de Acevedo Secure | Comedia | |||
| 13ª | 1.057 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 14ª | 1.058 | Juan de la Cueva Secure | Comedia | |||
| 15ª | 1.058 | No es posible Inconclusive | Comedia | |||
| 16ª | 1.063 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 17ª | 1.066 | Ángela de Acevedo Secure | Comedia | |||
| 18ª | 1.067 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.068 | The analysis does not point to any author | Comedia | |||
| 20ª | 1.070 | The analysis does not point to any author | Comedia | |||
Results
The analyses cannot associate this work with the stylistic profile of the traditional author because the corpus is too small. Nor do they clearly identify an alternative authorship.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
