Stylometric analysis of Lo que piensas te hago
- Traditional attribution
- Work attributed to Juan Antonio de Benavides or Lope de Vega Carpio.
- Genre
- Comedia
- Source
- El texto procede de la edición de Works de Lope de Vega. RAE. Nueva edición V (1918).
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.753 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.789 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.795 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.797 | El conde de Irlos | Álvaro Cubillo de Aragón Probable | Comedia | ||
| 5ª | 0.807 | Comedia | ||||
| 6ª | 0.808 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.810 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.813 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.816 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.821 | Antonio García de Prado Secure | Comedia | |||
| 11ª | 0.822 | Agustín Moreto y Cavana Probable ANDLuis de Belmonte Bermúdez Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 12ª | 0.822 | No es posible Inconclusive | Comedia | |||
| 13ª | 0.823 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.824 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.826 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.826 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.827 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.828 | Juan Vélez de Guevara Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 19ª | 0.828 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.829 | Juan de Matos Fragoso Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.941 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.971 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.972 | Antonio Mira de Amescua Probable | Comedia | |||
| 4ª | 0.972 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.990 | La reina María Estuardo | Juan Bautista Diamante Secure | Comedia | ||
| 6ª | 1.001 | Lope de Vega Carpio Secure | Comedia | |||
| 7ª | 1.003 | Antonio Mira de Amescua Secure | Comedia | |||
| 8ª | 1.008 | Juan Bautista Villegas Secure | Comedia | |||
| 9ª | 1.009 | Alonso de Castillo Solórzano Secure | Comedia | |||
| 10ª | 1.009 | The analysis does not point to any author | Comedia | |||
| 11ª | 1.011 | No es posible Inconclusive | Comedia | |||
| 12ª | 1.012 | The analysis does not point to any author | Comedia | |||
| 13ª | 1.012 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 14ª | 1.012 | Román Montero de Espinosa Secure | Comedia | |||
| 15ª | 1.013 | Lope de Vega Carpio Secure | Comedia | |||
| 16ª | 1.013 | Lope de Vega Carpio Secure | Comedia | |||
| 17ª | 1.013 | Luis de Belmonte Bermúdez Secure | Comedia | |||
| 18ª | 1.014 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.014 | The analysis does not point to any author | Comedia | |||
| 20ª | 1.016 | La las burlas veras | The analysis does not point to any author | Comedia | ||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.993 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.995 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.005 | No es posible Inconclusive | Comedia | |||
| 4ª | 1.005 | Agustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 5ª | 1.006 | No es posible Inconclusive | Comedia | |||
| 6ª | 1.007 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 7ª | 1.008 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.009 | No es posible Inconclusive | Comedia | |||
| 9ª | 1.009 | El conde de Irlos | Álvaro Cubillo de Aragón Probable | Comedia | ||
| 10ª | 1.010 | Juan Vélez de Guevara Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 11ª | 1.012 | The analysis does not point to any author | Comedia | |||
| 12ª | 1.013 | No es posible Inconclusive | Comedia | |||
| 13ª | 1.013 | José de Arroyo Secure | Comedia | |||
| 14ª | 1.014 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.014 | Miguel Bermúdez de Castro Secure | Comedia | |||
| 16ª | 1.019 | No es posible Inconclusive | Comedia | |||
| 17ª | 1.019 | No es posible Inconclusive | Comedia | |||
| 18ª | 1.020 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.021 | La judía de Toledo | Antonio Mira de Amescua Probable | Comedia | ||
| 20ª | 1.022 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.906 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.914 | Tirso de Molina Secure | Comedia | |||
| 3ª | 0.918 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.922 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.922 | Juan Vélez de Guevara Probable | Comedia | |||
| 6ª | 0.924 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.928 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.928 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.929 | Antonio García de Prado Secure | Comedia | |||
| 10ª | 0.930 | El conde de Irlos | Álvaro Cubillo de Aragón Probable | Comedia | ||
| 11ª | 0.934 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.937 | Comedia | ||||
| 13ª | 0.937 | Juan de Matos Fragoso Secure | Comedia | |||
| 14ª | 0.938 | Tirso de Molina Secure | Comedia | |||
| 15ª | 0.939 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.939 | No es posible Inconclusive | Comedia | |||
| 17ª | 0.940 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.942 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.942 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.942 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses allow this work to be clearly associated with the authorial profile of Juan Antonio de Benavides.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
