Stylometric analysis of La desgraciada Raquel y rey don Alfonso el Octavo
- Traditional attribution
- Work attributed to Antonio Mira de Amescua.
- Genre
- Comedia
- Source
- El texto procede del Aula Biblioteca Mira de Amescua de la Universidad de Granada.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.693 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.694 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.699 | Ángela de Acevedo Secure | Comedia | |||
| 4ª | 0.699 | Agustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 5ª | 0.704 | Antonio Folch de Cardona Secure | Comedia | |||
| 6ª | 0.705 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 7ª | 0.708 | Pedro Calderón de la Barca Probable ANDTirso de Molina Probable ANDPedro Calderón de la Barca Probable | Comedia | |||
| 8ª | 0.710 | Juan Bautista Diamante Secure | Comedia | |||
| 9ª | 0.712 | Luis Vélez de Guevara Secure | Comedia | |||
| 10ª | 0.714 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.716 | Francisco Salgado Probable | Comedia | |||
| 12ª | 0.719 | Antonio Martínez de Meneses Secure | Comedia | |||
| 13ª | 0.720 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.720 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.721 | Antonio Mira de Amescua Probable | Comedia | |||
| 16ª | 0.722 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.722 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 18ª | 0.722 | No es posible Inconclusive | Comedia | |||
| 19ª | 0.723 | José de Arroyo Secure | Comedia | |||
| 20ª | 0.723 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.882 | Antonio Martínez de Meneses Secure | Comedia | |||
| 2ª | 0.886 | Antonio Folch de Cardona Secure | Comedia | |||
| 3ª | 0.893 | Francisco López de Zárate Secure | Comedia | |||
| 4ª | 0.896 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 5ª | 0.904 | José de Arroyo Secure | Comedia | |||
| 6ª | 0.910 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.911 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.911 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.921 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.922 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.923 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.927 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.927 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.928 | Agustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 15ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.929 | Antonio Mira de Amescua Probable | Comedia | |||
| 17ª | 0.930 | Antonio Folch de Cardona Secure | Comedia | |||
| 18ª | 0.931 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.932 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 20ª | 0.933 | Juan Bautista Diamante Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.857 | Francisco Salgado Probable | Comedia | |||
| 2ª | 0.866 | Luis Vélez de Guevara Secure | Comedia | |||
| 3ª | 0.891 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.897 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.898 | Ángela de Acevedo Secure | Comedia | |||
| 6ª | 0.902 | Francisco Salgado Secure | Comedia | |||
| 7ª | 0.908 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 8ª | 0.908 | Alonso de Castillo Solórzano Secure | Comedia | |||
| 9ª | 0.909 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.912 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.913 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.914 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.916 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.918 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 15ª | 0.920 | Ángela de Acevedo Secure | Comedia | |||
| 16ª | 0.920 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.921 | Antonio Folch de Cardona Secure | Comedia | |||
| 18ª | 0.921 | Antonio Mira de Amescua Probable | Comedia | |||
| 19ª | 0.922 | Antonio Mira de Amescua Probable | Comedia | |||
| 20ª | 0.922 | La las burlas veras | The analysis does not point to any author | Comedia | ||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.803 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.810 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.813 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.813 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.815 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 6ª | 0.816 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 7ª | 0.824 | Francisco López de Zárate Secure | Comedia | |||
| 8ª | 0.824 | Juan de Matos Fragoso Probable ANDAgustín Moreto y Cavana Probable | Comedia | |||
| 9ª | 0.826 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.826 | Pedro Calderón de la Barca Secure | Comedia | |||
| 11ª | 0.827 | Juan Bautista Diamante Secure | Comedia | |||
| 12ª | 0.827 | José de Arroyo Secure | Comedia | |||
| 13ª | 0.828 | José de Cañizares Probable | Comedia | |||
| 14ª | 0.828 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.828 | Antonio Mira de Amescua Probable | Comedia | |||
| 16ª | 0.829 | Pedro Calderón de la Barca Probable ANDTirso de Molina Probable ANDPedro Calderón de la Barca Probable | Comedia | |||
| 17ª | 0.829 | Francisco González de Bustos Probable | Comedia | |||
| 18ª | 0.830 | Pedro Calderón de la Barca Secure | Comedia | |||
| 19ª | 0.830 | Francisco González de Bustos Probable | Comedia | |||
| 20ª | 0.830 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses allow this work to be associated with the authorial profile of Antonio Mira de Amescua, because some of their works appear in the first positions, although not conclusively.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
