Position 1ª
Distance 1.484
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Stylometric analysis of El martinillo (segunda parte)
- Traditional attribution
- Work attributed to Luis Quiñones de Benavente.
- Genre
- Entremés
- Source
- El texto ha sido proporcionado por Abraham Madroñal.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
Position 2ª
Distance 1.486
Title
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Entremés
Position 3ª
Distance 1.506
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 4ª
Distance 1.528
Traditional attribution
Stylometric attribution
Alfonso Hurtado de Velarde Probable
Genre Comedia
Position 5ª
Distance 1.535
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 6ª
Distance 1.554
Title
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 7ª
Distance 1.563
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 8ª
Distance 1.567
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 9ª
Distance 1.569
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 10ª
Distance 1.573
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Entremés
Position 11ª
Distance 1.585
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Loa
Position 12ª
Distance 1.587
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 13ª
Distance 1.589
Title
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Entremés
Position 14ª
Distance 1.597
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 15ª
Distance 1.608
Title
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Entremés
Position 16ª
Distance 1.618
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Entremés
Position 17ª
Distance 1.619
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Position 18ª
Distance 1.621
Traditional attribution
Stylometric attribution
Andrés González de Barcia Probable
Genre Comedia
Position 19ª
Distance 1.623
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 20ª
Distance 1.624
Title
Traditional attribution
Stylometric attribution
No analizada Inconclusive
Genre Farsa
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.484 | No es posible Inconclusive | Comedia | |||
| 2ª | 1.486 | No analizada Inconclusive | Entremés | |||
| 3ª | 1.506 | No es posible Inconclusive | Comedia | |||
| 4ª | 1.528 | Alfonso Hurtado de Velarde Probable | Comedia | |||
| 5ª | 1.535 | The analysis does not point to any author | Comedia | |||
| 6ª | 1.554 | No es posible Inconclusive | Comedia | |||
| 7ª | 1.563 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.567 | The analysis does not point to any author | Comedia | |||
| 9ª | 1.569 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.573 | No analizada Inconclusive | Entremés | |||
| 11ª | 1.585 | No analizada Inconclusive | Loa | |||
| 12ª | 1.587 | The analysis does not point to any author | Comedia | |||
| 13ª | 1.589 | No analizada Inconclusive | Entremés | |||
| 14ª | 1.597 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.608 | No analizada Inconclusive | Entremés | |||
| 16ª | 1.618 | No analizada Inconclusive | Entremés | |||
| 17ª | 1.619 | The analysis does not point to any author | Auto | |||
| 18ª | 1.621 | Andrés González de Barcia Probable | Comedia | |||
| 19ª | 1.623 | The analysis does not point to any author | Comedia | |||
| 20ª | 1.624 | No analizada Inconclusive | Farsa | |||
Results
This work has not been analyzed stylometrically, so it is not possible to assess its association with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.