Stylometric analysis of El arca de Noé
- Traditional attribution
- Work attributed to collaborative writing by Antonio Martínez de Meneses, Pedro Rosete Niño and Jerónimo de Cáncer.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de Nuevas escogidas.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.667 | Francisco González de Bustos Probable | Comedia | |||
| 2ª | 0.674 | Comedia | ||||
| 3ª | 0.674 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.674 | José de Arroyo Secure | Comedia | |||
| 5ª | 0.681 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.682 | Alejandro Arboreda Secure | Comedia | |||
| 7ª | 0.684 | Juan de Matos Fragoso Secure | Comedia | |||
| 8ª | 0.687 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.693 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.695 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 11ª | 0.696 | Antonio de Zamora Secure | Comedia | |||
| 12ª | 0.696 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 13ª | 0.700 | Comedia | ||||
| 14ª | 0.702 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.703 | Andrés González de Barcia Secure | Comedia | |||
| 16ª | 0.704 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.704 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.705 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.708 | Antonio García de Prado Secure | Comedia | |||
| 20ª | 0.709 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.785 | Pablo Polop y Valdés Probable | Comedia | |||
| 2ª | 0.802 | Auto | ||||
| 3ª | 0.802 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.811 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.815 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.816 | José de Arroyo Secure | Comedia | |||
| 7ª | 0.816 | The analysis does not point to any author | Auto | |||
| 8ª | 0.823 | Tirso de Molina Secure | Comedia | |||
| 9ª | 0.823 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.826 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.830 | Antonio García de Prado Secure | Comedia | |||
| 12ª | 0.830 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.831 | Alejandro Arboreda Secure | Comedia | |||
| 14ª | 0.834 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.839 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.839 | Alejandro Arboreda Secure | Comedia | |||
| 17ª | 0.841 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.842 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.842 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.842 | Francisco González de Bustos Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.919 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.923 | Andrés González de Barcia Secure | Comedia | |||
| 3ª | 0.925 | Comedia | ||||
| 4ª | 0.942 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 5ª | 0.952 | José de Arroyo Secure | Comedia | |||
| 6ª | 0.956 | Antonio de Zamora Secure | Comedia | |||
| 7ª | 0.956 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.959 | No es posible Inconclusive | Auto | |||
| 9ª | 0.961 | Juan de Vera Tassis y Villarroel Probable | Comedia | |||
| 10ª | 0.963 | Auto | ||||
| 11ª | 0.963 | No es posible Inconclusive | Comedia | |||
| 12ª | 0.964 | Pedro Calderón de la Barca Secure | Auto | |||
| 13ª | 0.965 | Pedro Calderón de la Barca Secure | Auto | |||
| 14ª | 0.966 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.968 | Andrés González de Barcia Secure | Comedia | |||
| 16ª | 0.969 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.969 | Antonio de Zamora Secure | Comedia | |||
| 18ª | 0.971 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.971 | Manuel Pereira Probable | Comedia | |||
| 20ª | 0.972 | Juan de Matos Fragoso Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.882 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 2ª | 0.884 | José de Arroyo Secure | Comedia | |||
| 3ª | 0.886 | Comedia | ||||
| 4ª | 0.887 | Francisco González de Bustos Probable | Comedia | |||
| 5ª | 0.889 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.889 | Juan de Matos Fragoso Secure | Comedia | |||
| 7ª | 0.893 | Alejandro Arboreda Secure | Comedia | |||
| 8ª | 0.895 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.896 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.899 | Francisco Antonio de Bances Candamo Probable | Comedia | |||
| 11ª | 0.899 | Francisco de Villegas Probable | Comedia | |||
| 12ª | 0.901 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.902 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 14ª | 0.904 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.905 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 16ª | 0.905 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 17ª | 0.906 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 18ª | 0.907 | No es posible Inconclusive | Comedia | |||
| 19ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.907 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses allow this work to be associated with the authorial profile of Pedro Rosete Niño, because some of their works appear in the first positions, although not conclusively.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
