Stylometric analysis of Tetis y Peleo
- Traditional attribution
- Work attributed to José de Bolea.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de la edición en la Parte XXIX de Nuevas escogidas (1668).
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.747 | Alejandro Arboreda Secure | Comedia | |||
| 2ª | 0.755 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 3ª | 0.759 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.762 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.768 | Andrés González de Barcia Secure | Comedia | |||
| 6ª | 0.770 | Antonio de Zamora Secure | Comedia | |||
| 7ª | 0.774 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.778 | Francisco Antonio de Bances Candamo Probable | Comedia | |||
| 9ª | 0.778 | Andrés González de Barcia Secure | Comedia | |||
| 10ª | 0.778 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.779 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.780 | Antonio Martínez de Meneses Secure | Comedia | |||
| 13ª | 0.780 | Comedia | ||||
| 14ª | 0.781 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.782 | Comedia | ||||
| 16ª | 0.784 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.785 | Juan Bautista Diamante Probable | Comedia | |||
| 18ª | 0.785 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 19ª | 0.786 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.786 | The analysis does not point to any author | Fiesta | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.935 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.951 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.954 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.955 | Francisco de Avellaneda Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 6ª | 0.955 | Los cielos premian desdenes | No es posible Inconclusive | Zarzuela | ||
| 7ª | 0.957 | Zarzuela | ||||
| 8ª | 0.958 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.962 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 10ª | 0.962 | No es posible Inconclusive | Comedia | |||
| 11ª | 0.962 | Antonio Mira de Amescua Probable | Comedia | |||
| 12ª | 0.962 | Manuel Vidal Salvador Secure | Comedia | |||
| 13ª | 0.964 | Andrés González de Barcia Secure | Comedia | |||
| 14ª | 0.964 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.966 | Juan Bautista Diamante Probable | Comedia | |||
| 16ª | 0.966 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.967 | No es posible Inconclusive | Auto | |||
| 18ª | 0.968 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.971 | The analysis does not point to any author | Auto | |||
| 20ª | 0.971 | Juan de Vera Tassis y Villarroel Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.898 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.904 | Juan Bautista Diamante Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 3ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.908 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.914 | Alejandro Arboreda Secure | Comedia | |||
| 6ª | 0.915 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 7ª | 0.921 | The analysis does not point to any author | Fiesta | |||
| 8ª | 0.924 | Francisco González de Bustos Probable | Comedia | |||
| 9ª | 0.925 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable | Comedia | |||
| 10ª | 0.925 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.928 | Juan Bautista Diamante Probable | Comedia | |||
| 12ª | 0.929 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.929 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.929 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 15ª | 0.931 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.931 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 17ª | 0.931 | Comedia | ||||
| 18ª | 0.931 | The analysis does not point to any author | Auto | |||
| 19ª | 0.936 | Antonio Martínez de Meneses Secure | Comedia | |||
| 20ª | 0.937 | Ambrosio de Arce Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.893 | Comedia | ||||
| 2ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.909 | Alejandro Arboreda Secure | Comedia | |||
| 4ª | 0.914 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.915 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.917 | Andrés González de Barcia Secure | Comedia | |||
| 7ª | 0.922 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.926 | José de Arroyo Secure | Comedia | |||
| 9ª | 0.928 | Francisco Antonio de Bances Candamo Probable | Comedia | |||
| 10ª | 0.931 | Antonio de Zamora Secure | Comedia | |||
| 11ª | 0.933 | Felipe Sicardo Probable | Comedia | |||
| 12ª | 0.933 | Antonio Martínez de Meneses Secure | Comedia | |||
| 13ª | 0.934 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.934 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 15ª | 0.935 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.936 | Comedia | ||||
| 17ª | 0.937 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.939 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.940 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.940 | The analysis does not point to any author | Comedia | |||
Results
The analyses cannot associate this work with the stylistic profile of the traditional author because the corpus is too small. Nor do they clearly identify an alternative authorship.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
