Stylometric analysis of No cabe más en amor, ni hay amor firme sin celos
- Traditional attribution
- Work attributed to Francisco Carbonell.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un impreso.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.661 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.664 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.731 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.765 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.767 | José de Cañizares Secure | Comedia | |||
| 6ª | 0.771 | José de Cañizares Probable | Comedia | |||
| 7ª | 0.773 | Pedro Rosete Niño Secure | Comedia | |||
| 8ª | 0.774 | Juan Vélez de Guevara Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 9ª | 0.774 | Ángela de Acevedo Secure | Comedia | |||
| 10ª | 0.776 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.782 | Pedro Calderón de la Barca Secure | Comedia | |||
| 12ª | 0.784 | Agustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 13ª | 0.785 | Comedia | ||||
| 14ª | 0.786 | Juan de Matos Fragoso Secure | Comedia | |||
| 15ª | 0.787 | José de Cañizares Secure | Comedia | |||
| 16ª | 0.788 | Comedia | ||||
| 17ª | 0.791 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.791 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.792 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.792 | Juan Pérez de Montalbán Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.873 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.915 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.945 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.946 | José de Cañizares Probable | Comedia | |||
| 5ª | 0.946 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.948 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.952 | Antonio de Zamora Secure | Comedia | |||
| 8ª | 0.952 | José de Cañizares Secure | Comedia | |||
| 9ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.952 | Felipe Sicardo Probable | Comedia | |||
| 11ª | 0.954 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.957 | Fábula de Hipermenestra y Linceo | The analysis does not point to any author | Zarzuela | ||
| 13ª | 0.960 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.960 | Juan de Matos Fragoso Secure | Comedia | |||
| 15ª | 0.961 | Andrés González de Barcia Secure | Comedia | |||
| 16ª | 0.962 | Álvaro Cubillo de Aragón Probable | Comedia | |||
| 17ª | 0.963 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 18ª | 0.964 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.964 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.965 | The analysis does not point to any author | Fiesta | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.835 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.880 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.901 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.915 | José de Cañizares Secure | Comedia | |||
| 5ª | 0.918 | José de Cañizares Secure | Comedia | |||
| 6ª | 0.924 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.924 | José de Cañizares Probable | Comedia | |||
| 8ª | 0.927 | Pedro Calderón de la Barca Probable ANDTirso de Molina Probable ANDPedro Calderón de la Barca Probable | Comedia | |||
| 9ª | 0.927 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.932 | Pedro Rosete Niño Secure | Comedia | |||
| 11ª | 0.937 | José de Cañizares Secure | Comedia | |||
| 12ª | 0.940 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.941 | Pedro Calderón de la Barca Secure | Comedia | |||
| 14ª | 0.942 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 15ª | 0.942 | José de Cañizares Secure | Comedia | |||
| 16ª | 0.942 | Pedro Calderón de la Barca Secure | Comedia | |||
| 17ª | 0.945 | José de Cañizares Secure | Comedia | |||
| 18ª | 0.947 | Luis Vélez de Guevara Secure | Comedia | |||
| 19ª | 0.950 | Pedro Calderón de la Barca Secure | Comedia | |||
| 20ª | 0.951 | Juan Pérez de Montalbán Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.953 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.956 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.979 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.984 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.985 | The analysis does not point to any author | Comedia | |||
| 6ª | 1.004 | Antonio García de Prado Secure | Comedia | |||
| 7ª | 1.017 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.019 | No es posible Inconclusive | Comedia | |||
| 9ª | 1.028 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.028 | Comedia | ||||
| 11ª | 1.029 | Pedro Rosete Niño Secure | Comedia | |||
| 12ª | 1.030 | No es posible Inconclusive | Comedia | |||
| 13ª | 1.030 | The analysis does not point to any author | Fábula | |||
| 14ª | 1.031 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.031 | La las burlas veras | The analysis does not point to any author | Comedia | ||
| 16ª | 1.032 | Felipe Sicardo Probable | Comedia | |||
| 17ª | 1.032 | José de Cañizares Probable | Comedia | |||
| 18ª | 1.033 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 19ª | 1.035 | No es posible Inconclusive | Comedia | |||
| 20ª | 1.035 | Pedro Rosete Niño Secure | Comedia | |||
Results
The stylometric analyses do not allow the association of this work with the authorial profile of the traditional author to be evaluated, because the comparison corpus is too small. Nor do they clearly identify an alternative authorial proscheda.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
