Position 1ª
Distance 0.869
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Stylometric analysis of La privanza del hombre
- Traditional attribution
- Work attributed to Lope de Vega Carpio.
- Genre
- Auto
- Source
- El texto procede del GRISO de la Universidad de Navarra.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
Position 2ª
Distance 0.870
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 3ª
Distance 0.872
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 4ª
Distance 0.872
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 5ª
Distance 0.874
Title
Traditional attribution
Stylometric attribution
Tirso de Molina Secure
Genre Comedia
Position 6ª
Distance 0.880
Traditional attribution
Stylometric attribution
Antonio Mira de Amescua Secure
Genre Comedia
Position 7ª
Distance 0.884
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 8ª
Distance 0.885
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 9ª
Distance 0.888
Traditional attribution
Stylometric attribution
Antonio Mira de Amescua Secure
Genre Comedia
Position 10ª
Distance 0.889
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 11ª
Distance 0.891
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 12ª
Distance 0.891
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 13ª
Distance 0.892
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Auto
Position 14ª
Distance 0.895
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 15ª
Distance 0.895
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 16ª
Distance 0.896
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 17ª
Distance 0.897
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 18ª
Distance 0.897
Traditional attribution
Stylometric attribution
Antonio Mira de Amescua Secure
Genre Comedia
Position 19ª
Distance 0.897
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 20ª
Distance 0.901
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.869 | Lope de Vega Carpio Secure | Comedia | |||
| 2ª | 0.870 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.872 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.872 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.874 | Tirso de Molina Secure | Comedia | |||
| 6ª | 0.880 | Antonio Mira de Amescua Secure | Comedia | |||
| 7ª | 0.884 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.885 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.888 | Antonio Mira de Amescua Secure | Comedia | |||
| 10ª | 0.889 | Lope de Vega Carpio Secure | Comedia | |||
| 11ª | 0.891 | Lope de Vega Carpio Secure | Comedia | |||
| 12ª | 0.891 | Lope de Vega Carpio Secure | Comedia | |||
| 13ª | 0.892 | The analysis does not point to any author | Auto | |||
| 14ª | 0.895 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.895 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.896 | No es posible Inconclusive | Comedia | |||
| 17ª | 0.897 | Lope de Vega Carpio Secure | Comedia | |||
| 18ª | 0.897 | Antonio Mira de Amescua Secure | Comedia | |||
| 19ª | 0.897 | Lope de Vega Carpio Secure | Comedia | |||
| 20ª | 0.901 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.