Stylometric analysis of El hamete de Toledo (Burlesca)
- Traditional attribution
- Work attributed to Unknown author (Tres ingenios).
- Genre
- Comedia
- Source
- El texto procede de Carmen Pinillos Salvador.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.723 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.746 | Jerónimo de Cáncer Secure | Comedia | |||
| 3ª | 0.770 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.773 | Juan de Zabaleta Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 5ª | 0.774 | Andrés de Claramonte y Corroy Probable | Comedia | |||
| 6ª | 0.777 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.778 | José de Cañizares Secure | Comedia | |||
| 8ª | 0.785 | Lope de Vega Carpio Secure | Comedia | |||
| 9ª | 0.785 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.786 | Juan Pérez de Montalbán Secure | Comedia | |||
| 11ª | 0.787 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.788 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.792 | Juan de Zabaleta Secure | Comedia | |||
| 14ª | 0.792 | Lope de Vega Carpio Secure | Comedia | |||
| 15ª | 0.792 | Juan Pérez de Montalbán Secure | Comedia | |||
| 16ª | 0.792 | Juan Bautista Diamante Secure | Comedia | |||
| 17ª | 0.793 | Juan Pérez de Montalbán Secure | Comedia | |||
| 18ª | 0.793 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.794 | Lope de Vega Carpio Secure | Comedia | |||
| 20ª | 0.794 | Juan de Velasco y Guzmán Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.105 | Andrés de Claramonte y Corroy Probable | Comedia | |||
| 2ª | 1.116 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.123 | José de Cañizares Secure | Comedia | |||
| 4ª | 1.124 | The analysis does not point to any author | Comedia | |||
| 5ª | 1.135 | José de Cañizares Secure | Comedia | |||
| 6ª | 1.138 | José de Cañizares Probable | Comedia | |||
| 7ª | 1.141 | Antonio de Zamora Secure | Comedia | |||
| 8ª | 1.143 | Juan de Maldonado Probable | Comedia | |||
| 9ª | 1.144 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.145 | Juan Pérez de Montalbán Secure | Comedia | |||
| 11ª | 1.145 | Domingo Francisco de Valdearenas Probable | Comedia | |||
| 12ª | 1.146 | Lope de Vega Carpio Secure | Comedia | |||
| 13ª | 1.148 | Juan Claudio de la Hoz y Mota Probable | Comedia | |||
| 14ª | 1.149 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.151 | Comedia | ||||
| 16ª | 1.151 | Juan Pérez de Montalbán Secure | Comedia | |||
| 17ª | 1.152 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 18ª | 1.153 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.157 | The analysis does not point to any author | Comedia | |||
| 20ª | 1.157 | El rey don Enrique el Tercero, llamado el enfermo | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.923 | José de Cañizares Secure | Comedia | |||
| 2ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.955 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.956 | Jerónimo de Cáncer Secure | Comedia | |||
| 5ª | 0.959 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.970 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.971 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.979 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.980 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.980 | No es posible Inconclusive | Comedia | |||
| 11ª | 0.988 | Juan de Maldonado Probable | Comedia | |||
| 12ª | 0.989 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.991 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.992 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 15ª | 0.993 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.993 | Lope de Vega Carpio Secure | Comedia | |||
| 17ª | 0.994 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.996 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.996 | José de Cañizares Probable | Comedia | |||
| 20ª | 0.999 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.072 | The analysis does not point to any author | Comedia | |||
| 2ª | 1.082 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.088 | Juan de Zabaleta Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 4ª | 1.089 | The analysis does not point to any author | Comedia | |||
| 5ª | 1.090 | No es posible Inconclusive | Comedia | |||
| 6ª | 1.091 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.094 | Jerónimo de Cáncer Secure | Comedia | |||
| 8ª | 1.094 | No es posible Inconclusive | Comedia | |||
| 9ª | 1.096 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.096 | José de Cañizares Secure | Comedia | |||
| 11ª | 1.099 | Juan de Matos Fragoso Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 12ª | 1.102 | The analysis does not point to any author | Comedia | |||
| 13ª | 1.103 | No es posible Inconclusive | Comedia | |||
| 14ª | 1.104 | The analysis does not point to any author | Comedia | |||
| 15ª | 1.107 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 16ª | 1.107 | The analysis does not point to any author | Comedia | |||
| 17ª | 1.107 | The analysis does not point to any author | Comedia | |||
| 18ª | 1.109 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.110 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 20ª | 1.111 | Francisco de Villegas Probable | Comedia | |||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
