Stylometric analysis of Primero al rey que al honor
- Traditional attribution
- Work attributed to Miguel Bermúdez de Castro.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un manuscrito.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.707 | Juan de Matos Fragoso Probable | Comedia | |||
| 2ª | 0.724 | No es posible Inconclusive | Comedia | |||
| 3ª | 0.739 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.743 | Antonio García de Prado Secure | Comedia | |||
| 5ª | 0.761 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 6ª | 0.764 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 7ª | 0.768 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.769 | Sor Juana Inés de Cruz Probable | Comedia | |||
| 9ª | 0.771 | Juan de Matos Fragoso Secure | Comedia | |||
| 10ª | 0.772 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.773 | Miguel Bermúdez de Castro Secure | Comedia | |||
| 12ª | 0.773 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 13ª | 0.775 | Juan de Matos Fragoso Secure | Comedia | |||
| 14ª | 0.775 | Ángela de Acevedo Secure | Comedia | |||
| 15ª | 0.776 | Juan Bautista Villegas Probable | Comedia | |||
| 16ª | 0.777 | No es posible Inconclusive | Comedia | |||
| 17ª | 0.778 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 18ª | 0.779 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.779 | La reina María Estuardo | Juan Bautista Diamante Secure | Comedia | ||
| 20ª | 0.780 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.924 | Juan de Matos Fragoso Probable | Comedia | |||
| 2ª | 0.931 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.956 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 4ª | 0.957 | Antonio Mira de Amescua Probable | Comedia | |||
| 5ª | 0.966 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.975 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.984 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.984 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.989 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.989 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.990 | Miguel Bermúdez de Castro Secure | Comedia | |||
| 12ª | 0.990 | Lope de Vega Carpio Secure | Comedia | |||
| 13ª | 0.992 | José de Cañizares Secure | Comedia | |||
| 14ª | 0.993 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.993 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 16ª | 0.994 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.995 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.996 | Pedro Rosete Niño Probable | Comedia | |||
| 19ª | 0.996 | Lope de Vega Carpio Secure | Comedia | |||
| 20ª | 0.998 | Antonio de Zamora Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.933 | Antonio García de Prado Secure | Comedia | |||
| 2ª | 0.953 | No es posible Inconclusive | Comedia | |||
| 3ª | 0.954 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.954 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.961 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.963 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.965 | Bravo Probable | Comedia | |||
| 8ª | 0.966 | Sor Juana Inés de Cruz Probable | Comedia | |||
| 9ª | 0.970 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.970 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.971 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.971 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 13ª | 0.972 | Juan Bautista Villegas Probable | Comedia | |||
| 14ª | 0.974 | Román Montero de Espinosa Secure | Comedia | |||
| 15ª | 0.976 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.977 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 17ª | 0.978 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.978 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.979 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.979 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.917 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.925 | Juan de Matos Fragoso Probable | Comedia | |||
| 3ª | 0.948 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 4ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.953 | Antonio García de Prado Secure | Comedia | |||
| 6ª | 0.953 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.964 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 8ª | 0.965 | Juan de Matos Fragoso Secure | Comedia | |||
| 9ª | 0.965 | Comedia | ||||
| 10ª | 0.967 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.968 | Venganza en el despeño y tirano de Navarra | Juan de Matos Fragoso Secure | Comedia | ||
| 12ª | 0.969 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.971 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 14ª | 0.973 | Guillén de Castro y Bellvís Secure | Comedia | |||
| 15ª | 0.973 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.974 | Luis Vélez de Guevara Secure | Comedia | |||
| 17ª | 0.974 | Luis de Belmonte Bermúdez Secure | Comedia | |||
| 18ª | 0.975 | Juan de Matos Fragoso Secure | Comedia | |||
| 19ª | 0.976 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.977 | Antonio Martínez de Meneses Probable | Comedia | |||
Results
The stylometric analyses allow this work to be clearly associated with the authorial profile of Miguel Bermúdez de Castro.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
