Stylometric analysis of Más puede amor, que dolor
- Traditional attribution
- Work attributed to Pedro Calderón de la Barca.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de una suelta (Sevilla, Francisco de Leefdael, s.a.).
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.655 | Antonio García de Prado Secure | Comedia | |||
| 2ª | 0.692 | Juan de Matos Fragoso Secure | Comedia | |||
| 3ª | 0.696 | Juan Bautista Villegas Probable | Comedia | |||
| 4ª | 0.703 | Bravo Probable | Comedia | |||
| 5ª | 0.705 | Juan de Matos Fragoso Secure | Comedia | |||
| 6ª | 0.711 | Ángela de Acevedo Secure | Comedia | |||
| 7ª | 0.712 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.714 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.714 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.716 | Juan de Matos Fragoso Secure | Comedia | |||
| 11ª | 0.716 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.717 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.721 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.722 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.723 | Bravo Probable | Comedia | |||
| 16ª | 0.723 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.723 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.724 | Agustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 19ª | 0.725 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.726 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.836 | Antonio García de Prado Secure | Comedia | |||
| 2ª | 0.845 | Juan de Matos Fragoso Secure | Comedia | |||
| 3ª | 0.849 | Juan Bautista Villegas Probable | Comedia | |||
| 4ª | 0.856 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.857 | Bravo Probable | Comedia | |||
| 6ª | 0.859 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.864 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.866 | José de Arroyo Secure | Comedia | |||
| 9ª | 0.872 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.873 | Diego Figueroa y Córdova Probable ANDJosé Figueroa y Córdova Probable | Comedia | |||
| 11ª | 0.874 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.875 | Comedia | ||||
| 13ª | 0.875 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.876 | Pedro Lanini y Sagredo Probable | Comedia | |||
| 15ª | 0.876 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.876 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.876 | Antonio de Almeida Secure | Comedia | |||
| 18ª | 0.877 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.879 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.880 | Juan de Matos Fragoso Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.834 | Antonio García de Prado Secure | Comedia | |||
| 2ª | 0.861 | Ángela de Acevedo Secure | Comedia | |||
| 3ª | 0.862 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.866 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.867 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.867 | Bravo Probable | Comedia | |||
| 7ª | 0.868 | Miguel Bermúdez de Castro Secure | Comedia | |||
| 8ª | 0.872 | Bravo Probable | Comedia | |||
| 9ª | 0.872 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.874 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.874 | Juan Vélez de Guevara Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 12ª | 0.875 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.876 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.878 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.879 | Comedia | ||||
| 16ª | 0.882 | No es posible Inconclusive | Comedia | |||
| 17ª | 0.883 | José de Cañizares Secure | Comedia | |||
| 18ª | 0.884 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.884 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.884 | Juan Bautista Diamante Probable ANDSebastián de Villaviciosa Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.801 | Antonio García de Prado Secure | Comedia | |||
| 2ª | 0.820 | José de Cañizares Secure | Comedia | |||
| 3ª | 0.831 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.835 | Juan Bautista Villegas Probable | Comedia | |||
| 5ª | 0.836 | José de Cañizares Secure | Comedia | |||
| 6ª | 0.837 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.838 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.838 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.839 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.841 | Juan de Zabaleta Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
| 11ª | 0.844 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.845 | Juan de Matos Fragoso Secure | Comedia | |||
| 13ª | 0.845 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 14ª | 0.846 | José de Cañizares Secure | Comedia | |||
| 15ª | 0.847 | No es posible Inconclusive | Comedia | |||
| 16ª | 0.847 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.847 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.848 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.849 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.849 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
