Stylometric analysis of Nuestra Señora de Atocha
- Traditional attribution
- Work attributed to Francisco de Rojas Zorrilla.
- Genre
- Comedia
- Source
- El texto procede del proyecto Rojas Zorrilla.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.713 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 2ª | 0.756 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 3ª | 0.760 | No es posible Inconclusive | Comedia | |||
| 4ª | 0.760 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 5ª | 0.764 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.765 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.766 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.768 | Luis Vélez de Guevara Secure | Comedia | |||
| 9ª | 0.773 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.773 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 11ª | 0.775 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.777 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 13ª | 0.781 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.781 | Andrés González de Barcia Probable | Comedia | |||
| 15ª | 0.781 | José de Arroyo Secure | Comedia | |||
| 16ª | 0.783 | Antonio de Zamora Secure | Comedia | |||
| 17ª | 0.783 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.784 | No es posible Inconclusive | Comedia | |||
| 19ª | 0.788 | Juan de Matos Fragoso Secure | Comedia | |||
| 20ª | 0.790 | Comedia | ||||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.884 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.886 | Luis Vélez de Guevara Secure | Comedia | |||
| 3ª | 0.889 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 4ª | 0.897 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.898 | The analysis does not point to any author | Auto | |||
| 6ª | 0.898 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 7ª | 0.899 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.900 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.903 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 10ª | 0.903 | The analysis does not point to any author | Auto | |||
| 11ª | 0.904 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.904 | José de Valdivieso Secure | Comedia | |||
| 13ª | 0.905 | Auto | ||||
| 14ª | 0.905 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.905 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.906 | Comedia | ||||
| 17ª | 0.906 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.906 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.907 | José de Cañizares Secure | Comedia | |||
| 20ª | 0.909 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.879 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 2ª | 0.902 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 3ª | 0.910 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.915 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.919 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.925 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.927 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 8ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.928 | The analysis does not point to any author | Auto | |||
| 10ª | 0.931 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.934 | Antonio Fajardo y Acevedo Probable | Comedia | |||
| 12ª | 0.934 | No es posible Inconclusive | Comedia | |||
| 13ª | 0.935 | Auto | ||||
| 14ª | 0.936 | Andrés González de Barcia Probable | Comedia | |||
| 15ª | 0.936 | Gaspar Saravia y Mendoza Probable | Comedia | |||
| 16ª | 0.937 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.938 | Antonio Mira de Amescua Probable | Comedia | |||
| 18ª | 0.940 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 19ª | 0.940 | José de Arroyo Secure | Comedia | |||
| 20ª | 0.941 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.871 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.889 | Luis Vélez de Guevara Secure | Comedia | |||
| 3ª | 0.890 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.914 | Antonio de Zamora Secure | Comedia | |||
| 5ª | 0.917 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.919 | José de Arroyo Secure | Comedia | |||
| 7ª | 0.919 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 8ª | 0.922 | Andrés González de Barcia Probable | Comedia | |||
| 9ª | 0.922 | Antonio de Zamora Secure | Comedia | |||
| 10ª | 0.924 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 11ª | 0.925 | Francisco de Rojas Zorrilla Probable | Comedia | |||
| 12ª | 0.926 | Francisco González de Bustos Probable | Comedia | |||
| 13ª | 0.926 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.927 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.928 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.929 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.932 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses allow this work to be clearly associated with the authorial profile of Francisco de Rojas Zorrilla.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
