Stylometric analysis of Lucir con ajena estrella
- Traditional attribution
- Work attributed to Juan Francisco Manuel.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un impreso.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.689 | José de Arroyo Secure | Comedia | |||
| 2ª | 0.691 | Juan de Matos Fragoso Secure | Comedia | |||
| 3ª | 0.697 | Juan Francisco Manuel Secure | Comedia | |||
| 4ª | 0.705 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.711 | El diablo predicador | No es posible Inconclusive | Comedia | ||
| 6ª | 0.711 | No es posible Inconclusive | Auto | |||
| 7ª | 0.712 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.713 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.716 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.718 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.720 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.722 | Antonio Mira de Amescua Probable | Comedia | |||
| 13ª | 0.722 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.723 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.724 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 16ª | 0.725 | Andrés González de Barcia Probable | Comedia | |||
| 17ª | 0.725 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 18ª | 0.726 | No es posible Inconclusive | Comedia | |||
| 19ª | 0.727 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.729 | Francisco de Avellaneda Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.836 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.862 | José de Arroyo Secure | Comedia | |||
| 3ª | 0.878 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.887 | Manuel de León Marchante Probable ANDDiego Calleja Probable | Comedia | |||
| 5ª | 0.888 | Juan Francisco Manuel Secure | Comedia | |||
| 6ª | 0.889 | No es posible Inconclusive | Auto | |||
| 7ª | 0.889 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.893 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.893 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.896 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.901 | Andrés González de Barcia Probable | Comedia | |||
| 12ª | 0.902 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.903 | Francisco de Avellaneda Secure | Comedia | |||
| 14ª | 0.907 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.908 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.909 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.910 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.913 | Antonio Mira de Amescua Probable | Comedia | |||
| 19ª | 0.913 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.914 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.829 | Juan de Matos Fragoso Secure | Comedia | |||
| 2ª | 0.834 | No es posible Inconclusive | Auto | |||
| 3ª | 0.836 | José de Arroyo Secure | Comedia | |||
| 4ª | 0.844 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.847 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.848 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 7ª | 0.850 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.852 | The analysis does not point to any author | Auto | |||
| 9ª | 0.855 | Antonio García de Prado Secure | Comedia | |||
| 10ª | 0.857 | No es posible Inconclusive | Comedia | |||
| 11ª | 0.857 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.858 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.860 | El diablo predicador | No es posible Inconclusive | Comedia | ||
| 14ª | 0.860 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.861 | Juan Francisco Manuel Secure | Comedia | |||
| 16ª | 0.867 | Antonio Fajardo y Acevedo Probable | Comedia | |||
| 17ª | 0.868 | Juan Claudio de la Hoz y Mota Probable ANDJosé de Cañizares Probable | Comedia | |||
| 18ª | 0.868 | Comedia | ||||
| 19ª | 0.869 | Antonio Fajardo y Acevedo Secure | Comedia | |||
| 20ª | 0.869 | Tirso de Molina Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.900 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.902 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.909 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.909 | Juan Francisco Manuel Secure | Comedia | |||
| 5ª | 0.910 | Juan de Matos Fragoso Secure | Comedia | |||
| 6ª | 0.915 | Antonio Fajardo y Acevedo Probable | Comedia | |||
| 7ª | 0.916 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.919 | Juan de Velasco y Guzmán Probable | Comedia | |||
| 9ª | 0.920 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.921 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.926 | Antonio Mira de Amescua Probable | Comedia | |||
| 12ª | 0.927 | Andrés González de Barcia Probable | Comedia | |||
| 13ª | 0.927 | Francisco de Avellaneda Secure | Comedia | |||
| 14ª | 0.929 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.929 | José de Arroyo Secure | Comedia | |||
| 16ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.931 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.932 | Francisco de Avellaneda Secure | Comedia | |||
| 19ª | 0.934 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.937 | The analysis does not point to any author | Comedia | |||
Results
The stylometric analyses allow this work to be clearly associated with the authorial profile of Juan Francisco Manuel.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
