Stylometric analysis of El primer condenado
- Traditional attribution
- Work attributed to Felipe Godínez.
- Genre
- Comedia
- Source
- El texto procede del proyecto Godínez.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.793 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.795 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.797 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.798 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.798 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 6ª | 0.800 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.800 | Francisco González de Bustos Probable | Comedia | |||
| 8ª | 0.805 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.806 | Pedro Calderón de la Barca Secure | Comedia | |||
| 10ª | 0.810 | Comedia | ||||
| 11ª | 0.816 | Francisco González de Bustos Probable | Comedia | |||
| 12ª | 0.818 | Juan de Matos Fragoso Secure | Comedia | |||
| 13ª | 0.821 | Tirso de Molina Secure | Comedia | |||
| 14ª | 0.821 | La las burlas veras | The analysis does not point to any author | Comedia | ||
| 15ª | 0.822 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.822 | Antonio Mira de Amescua Secure | Comedia | |||
| 17ª | 0.822 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.824 | No es posible Inconclusive | Comedia | |||
| 19ª | 0.824 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.826 | Lope de Vega Carpio Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.949 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.964 | No es posible Inconclusive | Comedia | |||
| 3ª | 0.969 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.977 | Juan de Matos Fragoso Secure | Comedia | |||
| 5ª | 0.981 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.982 | Antonio Mira de Amescua Probable | Comedia | |||
| 7ª | 0.983 | The analysis does not point to any author | Comedia | |||
| 8ª | 0.988 | No es posible Inconclusive | Comedia | |||
| 9ª | 0.988 | Tirso de Molina Secure | Comedia | |||
| 10ª | 0.990 | Alejandro Arboreda Secure | Comedia | |||
| 11ª | 0.990 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.991 | Tirso de Molina Secure | Comedia | |||
| 13ª | 0.992 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.992 | The analysis does not point to any author | Fábula | |||
| 15ª | 0.993 | Francisco González de Bustos Probable | Comedia | |||
| 16ª | 0.994 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 17ª | 0.995 | Antonio García de Prado Secure | Comedia | |||
| 18ª | 0.996 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.997 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 20ª | 0.997 | José de Arroyo Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.008 | Agustín Moreto y Cavana Probable ANDJuan de Matos Fragoso Probable | Comedia | |||
| 2ª | 1.012 | The analysis does not point to any author | Comedia | |||
| 3ª | 1.015 | No es posible Inconclusive | Comedia | |||
| 4ª | 1.032 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 5ª | 1.036 | The analysis does not point to any author | Comedia | |||
| 6ª | 1.040 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.040 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.046 | Francisco de Rojas Zorrilla Secure | Comedia | |||
| 9ª | 1.050 | Juan Bautista Diamante Secure | Comedia | |||
| 10ª | 1.050 | Francisco González de Bustos Probable | Comedia | |||
| 11ª | 1.052 | The analysis does not point to any author | Comedia | |||
| 12ª | 1.055 | Tirso de Molina Secure | Comedia | |||
| 13ª | 1.056 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 14ª | 1.057 | Antonio Mira de Amescua Secure | Comedia | |||
| 15ª | 1.058 | The analysis does not point to any author | Comedia | |||
| 16ª | 1.059 | Antonio Mira de Amescua Secure | Comedia | |||
| 17ª | 1.059 | The analysis does not point to any author | Comedia | |||
| 18ª | 1.060 | Juan Bautista Diamante Secure | Comedia | |||
| 19ª | 1.060 | Antonio Mira de Amescua Secure | Comedia | |||
| 20ª | 1.061 | Antonio Mira de Amescua Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.997 | Francisco López de Zárate Secure | Comedia | |||
| 2ª | 1.004 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 3ª | 1.006 | Pedro Calderón de la Barca Secure | Comedia | |||
| 4ª | 1.009 | The analysis does not point to any author | Comedia | |||
| 5ª | 1.010 | Francisco González de Bustos Probable | Comedia | |||
| 6ª | 1.016 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.023 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.026 | The analysis does not point to any author | Comedia | |||
| 9ª | 1.026 | No es posible Inconclusive | Comedia | |||
| 10ª | 1.026 | Pedro Rosete Niño Probable | Comedia | |||
| 11ª | 1.027 | El dichoso desdichado, Poncio Pilato | Andrés de Claramonte y Corroy Probable | Comedia | ||
| 12ª | 1.030 | El diablo predicador | No es posible Inconclusive | Comedia | ||
| 13ª | 1.031 | The analysis does not point to any author | Comedia | |||
| 14ª | 1.031 | Luis de Belmonte Bermúdez Probable ANDAgustín Moreto y Cavana Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 15ª | 1.033 | The analysis does not point to any author | Comedia | |||
| 16ª | 1.033 | Ambrosio de Arce Secure | Comedia | |||
| 17ª | 1.034 | The analysis does not point to any author | Comedia | |||
| 18ª | 1.034 | Juan de Matos Fragoso Secure | Comedia | |||
| 19ª | 1.035 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 20ª | 1.037 | Antonio Mira de Amescua Secure | Comedia | |||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
