Position 1ª
Distance 0.752
Traditional attribution
Stylometric attribution
Juan Vélez de Guevara Probable
Genre Comedia
Stylometric analysis of El diciembre por agosto
- Traditional attribution
- Work attributed to Juan Vélez de Guevara.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de Nuevas escogidas.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
Position 2ª
Distance 0.760
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 3ª
Distance 0.774
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 4ª
Distance 0.784
Traditional attribution
Stylometric attribution
Andrés González de Barcia Secure
Genre Comedia
Position 5ª
Distance 0.786
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 6ª
Distance 0.787
Traditional attribution
Stylometric attribution
Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez de Guevara Probable
Genre Comedia
Position 7ª
Distance 0.790
Title
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 8ª
Distance 0.790
Title
Traditional attribution
Stylometric attribution
Pedro Rosete Niño Probable
Genre Comedia
Position 9ª
Distance 0.792
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 10ª
Distance 0.792
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 11ª
Distance 0.793
Title
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 12ª
Distance 0.795
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 13ª
Distance 0.797
Traditional attribution
Stylometric attribution
Cristóbal de Monroy y Silva Secure
Genre Comedia
Position 14ª
Distance 0.799
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 15ª
Distance 0.799
Title
Traditional attribution
Stylometric attribution
Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable
Genre Comedia
Position 16ª
Distance 0.803
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 17ª
Distance 0.804
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 18ª
Distance 0.804
Traditional attribution
Stylometric attribution
Sebastián de Olivares Probable
Genre Comedia
Position 19ª
Distance 0.804
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 20ª
Distance 0.806
Traditional attribution
Stylometric attribution
Ambrosio de Arce Secure
Genre Comedia
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.752 | Juan Vélez de Guevara Probable | Comedia | |||
| 2ª | 0.760 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.774 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.784 | Andrés González de Barcia Secure | Comedia | |||
| 5ª | 0.786 | Vengada antes de ofendida | No es posible Inconclusive | Comedia | ||
| 6ª | 0.787 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez de Guevara Probable | Comedia | |||
| 7ª | 0.790 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.790 | Pedro Rosete Niño Probable | Comedia | |||
| 9ª | 0.792 | La infeliz aurora y fineza acreditada |La fineza acreditada | The analysis does not point to any author | Comedia | ||
| 10ª | 0.792 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.793 | No es posible Inconclusive | Comedia | |||
| 12ª | 0.795 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.797 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 14ª | 0.799 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.799 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 16ª | 0.803 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.804 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.804 | Sebastián de Olivares Probable | Comedia | |||
| 19ª | 0.804 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.806 | Cegar para ver mejor, Santa Lucía |Santa Lucía, cegar para ver mejor | Ambrosio de Arce Secure | Comedia | ||
Results
The stylometric analyses allow this work to be associated with the authorial profile of Juan Vélez de Guevara, because some of their works appear in the first positions, although not conclusively.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.