Stylometric analysis of Babilonia de amor
- Traditional attribution
- Work attributed to Fradrique de la Cámara.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de la edición en la Parte III de Doce comedias las más famosas… (Lisboa, 1649).
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.774 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.777 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.782 | Ángela de Acevedo Secure | Comedia | |||
| 4ª | 0.787 | No es posible Inconclusive | Comedia | |||
| 5ª | 0.788 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.788 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.793 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 8ª | 0.793 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 9ª | 0.798 | The analysis does not point to any author | Comedia | |||
| 10ª | 0.801 | Tirso de Molina Secure | Comedia | |||
| 11ª | 0.801 | Esto es hecho |Acertar pensando errar | Pedro Rosete Niño Secure | Comedia | ||
| 12ª | 0.804 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 13ª | 0.805 | Juan Bautista Villegas Probable | Comedia | |||
| 14ª | 0.807 | Juan Ruiz de Alarcón Probable | Comedia | |||
| 15ª | 0.810 | Antonio Manuel del Campo Secure | Comedia | |||
| 16ª | 0.810 | Pedro Rosete Niño Secure | Comedia | |||
| 17ª | 0.811 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.812 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.812 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.813 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.943 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.957 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.960 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 4ª | 0.965 | Juan de Matos Fragoso Probable ANDJuan Bautista Diamante Probable ANDJuan Vélez Probable | Comedia | |||
| 5ª | 0.967 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.967 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.971 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.971 | Ángela de Acevedo Secure | Comedia | |||
| 9ª | 0.980 | Pedro Rosete Niño Secure | Comedia | |||
| 10ª | 0.983 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.984 | Alonso de Castillo Solórzano Secure | Comedia | |||
| 12ª | 0.984 | The analysis does not point to any author | Comedia | |||
| 13ª | 0.984 | Tirso de Molina Secure | Comedia | |||
| 14ª | 0.986 | The analysis does not point to any author | Comedia | |||
| 15ª | 0.987 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.988 | Antonio Mira de Amescua Probable | Comedia | |||
| 17ª | 0.990 | Lope de Vega Carpio Secure | Comedia | |||
| 18ª | 0.990 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.990 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.991 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.949 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 3ª | 0.955 | Ángela de Acevedo Secure | Comedia | |||
| 4ª | 0.961 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.961 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.962 | Diego Muxet de Solís Secure | Comedia | |||
| 7ª | 0.963 | Tirso de Molina Secure | Comedia | |||
| 8ª | 0.966 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.967 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 10ª | 0.967 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 11ª | 0.972 | No es posible Inconclusive | Comedia | |||
| 12ª | 0.972 | No es posible Inconclusive | Comedia | |||
| 13ª | 0.972 | Lope de Vega Carpio Secure | Comedia | |||
| 14ª | 0.975 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.975 | The analysis does not point to any author | Comedia | |||
| 16ª | 0.975 | Lope de Vega Carpio Secure | Comedia | |||
| 17ª | 0.976 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.977 | Pedro Rosete Niño Secure | Comedia | |||
| 19ª | 0.978 | Antonio Manuel del Campo Secure | Comedia | |||
| 20ª | 0.980 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.930 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.951 | Tirso de Molina Secure | Comedia | |||
| 3ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.953 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 5ª | 0.954 | Esto es hecho |Acertar pensando errar | Pedro Rosete Niño Secure | Comedia | ||
| 6ª | 0.963 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.964 | No es posible Inconclusive | Comedia | |||
| 8ª | 0.964 | Juan Antonio Mójica Probable | Comedia | |||
| 9ª | 0.965 | Juan Ruiz de Alarcón Probable | Comedia | |||
| 10ª | 0.969 | Diego Figueroa y Córdova Probable ANDJosé Figueroa y Córdova Probable | Comedia | |||
| 11ª | 0.970 | No es posible Inconclusive | Comedia | |||
| 12ª | 0.971 | Ángela de Acevedo Secure | Comedia | |||
| 13ª | 0.972 | No es posible Inconclusive | Comedia | |||
| 14ª | 0.973 | Pedro Calderón de la Barca Secure | Comedia | |||
| 15ª | 0.973 | Antonio Manuel del Campo Secure | Comedia | |||
| 16ª | 0.974 | Juan Ruiz de Alarcón Secure | Comedia | |||
| 17ª | 0.974 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.975 | Tirso de Molina Secure | Comedia | |||
| 19ª | 0.975 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.975 | Juan de Matos Fragoso Probable ANDSebastián de Villaviciosa Probable | Comedia | |||
Results
The stylometric analyses do not allow the association of this work with the authorial profile of the traditional author to be evaluated, because the comparison corpus is too small. Nor do they clearly identify an alternative authorial proscheda.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
