Stylometric analysis of La roca del honor
- Traditional attribution
- Work attributed to Unknown author.
- Genre
- Comedia
- Source
- El texto procede de la transcripción automática de un impreso.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.746 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.754 | Andrés González de Barcia Secure | Comedia | |||
| 3ª | 0.755 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.761 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 5ª | 0.764 | The analysis does not point to any author | Comedia | |||
| 6ª | 0.773 | The analysis does not point to any author | Comedia | |||
| 7ª | 0.773 | Venganza en el despeño y tirano de Navarra | Juan de Matos Fragoso Secure | Comedia | ||
| 8ª | 0.777 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.779 | No es posible Inconclusive | Comedia | |||
| 10ª | 0.783 | Antonio Manuel del Campo Probable | Comedia | |||
| 11ª | 0.784 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.785 | Juan de Matos Fragoso Secure | Comedia | |||
| 13ª | 0.788 | Antonio García de Prado Secure | Comedia | |||
| 14ª | 0.788 | Gabriel de Roa Probable | Comedia | |||
| 15ª | 0.789 | Juan de Matos Fragoso Secure | Comedia | |||
| 16ª | 0.789 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 17ª | 0.789 | No es posible Inconclusive | Comedia | |||
| 18ª | 0.789 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.790 | No es posible Inconclusive | Comedia | |||
| 20ª | 0.790 | Antonio Manuel del Campo Secure | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.889 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 2ª | 0.901 | No es posible Inconclusive | Comedia | |||
| 3ª | 0.910 | Tirso de Molina Secure | Comedia | |||
| 4ª | 0.913 | The analysis does not point to any author | Auto | |||
| 5ª | 0.916 | Juan Antonio Mójica Probable | Comedia | |||
| 6ª | 0.921 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.927 | Dejar un reino por otro | Cristóbal de Monroy y Silva Secure | Comedia | ||
| 8ª | 0.927 | Andrés González de Barcia Secure | Comedia | |||
| 9ª | 0.931 | Pedro Calderón de la Barca Secure | Comedia | |||
| 10ª | 0.933 | Cristóbal de Monroy y Silva Secure | Comedia | |||
| 11ª | 0.935 | The analysis does not point to any author | Comedia | |||
| 12ª | 0.936 | Diego Figueroa y Córdova Probable ANDJosé Figueroa y Córdova Probable | Comedia | |||
| 13ª | 0.936 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.936 | No es posible Inconclusive | Comedia | |||
| 15ª | 0.937 | Tirso de Molina Secure | Comedia | |||
| 16ª | 0.938 | The analysis does not point to any author | Comedia | |||
| 17ª | 0.938 | The analysis does not point to any author | Comedia | |||
| 18ª | 0.943 | The analysis does not point to any author | Comedia | |||
| 19ª | 0.944 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.944 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.931 | The analysis does not point to any author | Comedia | |||
| 2ª | 0.949 | Francisco González de Bustos Probable ANDPedro Lanini y Sagredo Probable | Comedia | |||
| 3ª | 0.952 | The analysis does not point to any author | Comedia | |||
| 4ª | 0.955 | The analysis does not point to any author | Comedia | |||
| 5ª | 0.955 | No es posible Inconclusive | Comedia | |||
| 6ª | 0.958 | No es posible Inconclusive | Comedia | |||
| 7ª | 0.958 | Miguel Bermúdez de Castro Secure | Comedia | |||
| 8ª | 0.969 | The analysis does not point to any author | Comedia | |||
| 9ª | 0.969 | Lope de Vega Carpio Secure | Comedia | |||
| 10ª | 0.970 | The analysis does not point to any author | Comedia | |||
| 11ª | 0.971 | Antonio Mira de Amescua Probable | Comedia | |||
| 12ª | 0.971 | Ángela de Acevedo Secure | Comedia | |||
| 13ª | 0.973 | The analysis does not point to any author | Comedia | |||
| 14ª | 0.973 | Gabriel de Roa Probable | Comedia | |||
| 15ª | 0.975 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 16ª | 0.975 | Francisco de Llanos y Valdés Secure | Comedia | |||
| 17ª | 0.977 | Andrés González de Barcia Secure | Comedia | |||
| 18ª | 0.977 | Luis de Belmonte Bermúdez Probable ANDAntonio Martínez de Meneses Probable | Comedia | |||
| 19ª | 0.977 | The analysis does not point to any author | Comedia | |||
| 20ª | 0.978 | The analysis does not point to any author | Comedia | |||
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 0.980 | No es posible Inconclusive | Comedia | |||
| 2ª | 0.981 | Antonio Martínez de Meneses Probable ANDLuis de Belmonte Bermúdez Probable | Comedia | |||
| 3ª | 0.990 | The analysis does not point to any author | Comedia | |||
| 4ª | 1.000 | The analysis does not point to any author | Comedia | |||
| 5ª | 1.003 | No es posible Inconclusive | Comedia | |||
| 6ª | 1.005 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.006 | Luis de Belmonte Bermúdez Secure | Comedia | |||
| 8ª | 1.007 | Cristóbal de Monroy y Silva Probable | Comedia | |||
| 9ª | 1.007 | The analysis does not point to any author | Comedia | |||
| 10ª | 1.008 | The analysis does not point to any author | Comedia | |||
| 11ª | 1.008 | Andrés González de Barcia Secure | Comedia | |||
| 12ª | 1.009 | Fábula de Hipermenestra y Linceo | The analysis does not point to any author | Zarzuela | ||
| 13ª | 1.009 | Comedia | ||||
| 14ª | 1.011 | Luis de Belmonte Bermúdez Probable | Comedia | |||
| 15ª | 1.012 | The analysis does not point to any author | Comedia | |||
| 16ª | 1.015 | Antonio Manuel del Campo Probable | Comedia | |||
| 17ª | 1.017 | The analysis does not point to any author | Comedia | |||
| 18ª | 1.017 | The analysis does not point to any author | Comedia | |||
| 19ª | 1.018 | Ambrosio de Arce Secure | Comedia | |||
| 20ª | 1.018 | Comedia | ||||
Results
The stylometric analyses do not allow this work to be clearly associated with any authorial profile in the corpus.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.
