Position 1ª
Distance 1.033
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Stylometric analysis of Comedia de Miseno
- Traditional attribution
- Work attributed to Juan Bautista de Loyola.
- Genre
- Comedia
- Source
- El texto procede de Daniel Fernández.
Closest works
Download reportThe 20 works with the closest lexical usage are shown below, both for the complete work and, when possible, for each act, using a corpus made up of 3,000 works by 400 different authors. Distances have been calculated from the frequencies of the 500 most frequent words using Burrows’s Delta method. The closer the value is to 0.0, the greater the affinity.
Position 2ª
Distance 1.038
Title
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 3ª
Distance 1.040
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 4ª
Distance 1.041
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 5ª
Distance 1.042
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 6ª
Distance 1.045
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 7ª
Distance 1.046
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 8ª
Distance 1.049
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 9ª
Distance 1.052
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 10ª
Distance 1.052
Traditional attribution
Stylometric attribution
No es posible Inconclusive
Genre Comedia
Position 11ª
Distance 1.053
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 12ª
Distance 1.054
Title
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 13ª
Distance 1.057
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 14ª
Distance 1.060
Traditional attribution
Stylometric attribution The analysis does not point to any author
Genre Comedia
Position 15ª
Distance 1.062
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 16ª
Distance 1.064
Title
Traditional attribution
Stylometric attribution
Francisco Agustín Tárrega Secure
Genre Comedia
Position 17ª
Distance 1.064
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 18ª
Distance 1.065
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 19ª
Distance 1.065
Title
Traditional attribution
Stylometric attribution
Lope de Vega Carpio Secure
Genre Comedia
Position 20ª
Distance 1.066
Title
Traditional attribution
Stylometric attribution
Miguel Sánchez Secure
Genre Comedia
| Position | Distance | Title | Traditional attribution | Stylometric attribution | Genre | Resources |
|---|---|---|---|---|---|---|
| 1ª | 1.033 | La infanta Leónida | The analysis does not point to any author | Comedia | ||
| 2ª | 1.038 | No es posible Inconclusive | Comedia | |||
| 3ª | 1.040 | No es posible Inconclusive | Comedia | |||
| 4ª | 1.041 | Lope de Vega Carpio Secure | Comedia | |||
| 5ª | 1.042 | The analysis does not point to any author | Comedia | |||
| 6ª | 1.045 | The analysis does not point to any author | Comedia | |||
| 7ª | 1.046 | The analysis does not point to any author | Comedia | |||
| 8ª | 1.049 | Nuestra Señora de la Candelaria y sus milagros | The analysis does not point to any author | Comedia | ||
| 9ª | 1.052 | Desdicha venturosa |La confusa Ingalaterra | The analysis does not point to any author | Comedia | ||
| 10ª | 1.052 | No es posible Inconclusive | Comedia | |||
| 11ª | 1.053 | Lope de Vega Carpio Secure | Comedia | |||
| 12ª | 1.054 | The analysis does not point to any author | Comedia | |||
| 13ª | 1.057 | Lope de Vega Carpio Secure | Comedia | |||
| 14ª | 1.060 | El hijo mal inclinado | The analysis does not point to any author | Comedia | ||
| 15ª | 1.062 | Lope de Vega Carpio Secure | Comedia | |||
| 16ª | 1.064 | Francisco Agustín Tárrega Secure | Comedia | |||
| 17ª | 1.064 | La hermosura aborrecida y desdichada firme | Lope de Vega Carpio Secure | Comedia | ||
| 18ª | 1.065 | Lope de Vega Carpio Secure | Comedia | |||
| 19ª | 1.065 | Lope de Vega Carpio Secure | Comedia | |||
| 20ª | 1.066 | Miguel Sánchez Secure | Comedia | |||
Results
The analyses cannot associate this work with the stylistic profile of the traditional author because the corpus is too small. Nor do they clearly identify an alternative authorship.
References
Suggested citation
Cuéllar, Álvaro y Germán Vega García-Luengos. ETSO: Estilometría aplicada al Teatro del Siglo de Oro. 2017-2026. Recurso web. http://etso.es/.
To understand the processes followed here, you can consult:
Vega García-Luengos, Germán. (2023). «Para la delimitación del repertorio de comedias auténticas de Lope: confirmaciones de autoría y nuevas atribuciones desde la estilometría (II)». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 469-544. https://doi.org/10.5565/rev/anuariolopedevega.477.
Cuéllar, Álvaro. (2023). «La Inteligencia Artificial al rescate del Siglo de Oro. Transcripción y modernización automática de mil trescientos impresos y manuscritos teatrales». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 101-115. https://doi.org/10.13035/H.2023.11.01.08.
Cuéllar, Álvaro. (2024). Stylometry and Spanish Golden Age Theatre: An Evaluation of Authorship Attribution in a Control Group of One Hundred Undisputed Plays. Digital Stylistics in Romance Studies and Beyond. In R. Hesselbach, J. Calvo Tello, U. Henny-Krahmer, C. Schöch, & D. Schlör (Hrsg.), pp. 101-117. Heidelberg University Publishing. https://doi.org/10.17885/heiup.1157.c19368.
More information
More information on how ETSO works on authorship attribution for Golden Age plays is available in:
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). La francesa Laura. Gredos. Bibl. Lope De Vega. https://www.rbalibros.com/gredos/la-francesa-laura_7132.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «La francesa Laura. El hallazgo de una nueva comedia del Lope de Vega último». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 131-198. https://doi.org/10.5565/rev/anuariolopedevega.492.
Cuéllar, Álvaro y Germán Vega García-Luengos. (2023). «Un nuevo repertorio dramático para Andrés de Claramonte». Hipogrifo. Revista de literatura y cultura del Siglo de Oro. vol. 11, núm. 1, pp. 117-172. https://doi.org/10.13035/H.2023.11.01.09.
Cuéllar, Álvaro. (2023). «Cronología y estilometría: datación automática de comedias de Lope de Vega». Anuario Lope de Vega. Texto, literatura, cultura. XXIX, pp. 97-130. https://doi.org/10.5565/rev/anuariolopedevega.483.
Cuéllar, Álvaro. (2022). «Propuestas de autoría y datación en el teatro de Lope de Vega a la luz de la Inteligencia Artificial». Theses and Dissertations--Hispanic Studies. 55. https://doi.org/10.13023/etd.2022.428.
Campión Larumbe, Miguel y Álvaro Cuéllar. (2021). «Discernir entre original y refundición en el teatro del Siglo de Oro a través de la estilometría: el caso de El mejor amigo, el muerto». Talía. Revista de Estudios Teatrales. 3, pp. 59-69. https://doi.org/10.5209/tret.74021.
Vega García-Luengos, Germán. (2021). «Las comedias de Lope de Vega: confirmaciones de autoría y nuevas atribuciones desde la estilometría (I)». Talía. Revista de Estudios Teatrales. 3, pp. 91-108. https://doi.org/10.5209/tret.74625.
Vega García-Luengos, Germán. (2021). «Juan Ruiz de Alarcón recupera "La monja alférez".». Sor Juana Inés de la Cruz y el teatro novohispano: XLII Jornadas de teatro clásico, Almagro, 9, 10 y 11 de julio de 2019. pp. 89-159. Ediciones de la Universidad de Castilla-La Mancha. https://ruidera.uclm.es/xmlui/handle/10578/28570.