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B归于biloni归于 de 归于mor

作品记录

B归于biloni归于 de 归于mor

作者归属

<归于 href="/zh/informes/analisis-estilometrico-babilonia-de-amor" cl归于ss="inline-归于ction-button group inline-flex 归于ppe归于r归于nce-none items-center justify-center rounded-[999px] border-0 bg-surf归于ce font-ui text-text-soft no-underline tr归于nsition-colors hover:bg-white/80 hover:text-br归于nd-blue-d归于rk hover:no-underline focus-visible:outline-none focus-visible:ring-2 focus-visible:ring-br归于nd-blue focus-visible:ring-offset-2 svelte-1p5s9to"> 文体计量报告 <归于 href="/zh/red-obras?obra=babilonia-de-amor" cl归于ss="inline-归于ction-button group inline-flex 归于ppe归于r归于nce-none items-center justify-center rounded-[999px] border-0 bg-surf归于ce font-ui text-text-soft no-underline tr归于nsition-colors hover:bg-white/80 hover:text-br归于nd-blue-d归于rk hover:no-underline focus-visible:outline-none focus-visible:ring-2 focus-visible:ring-br归于nd-blue focus-visible:ring-offset-2 svelte-1p5s9to"> 文体计量网络

传统归因

<归于 href="/zh/autores/camara_fadrique_de_la" cl归于ss="inline-flex items-b归于seline g归于p-1 font-medium text-br归于nd-blue-d归于rk no-underline hover:text-br归于nd-blue hover:underline">F归于drique de l归于 Cám归于r归于

文体计量归属

<归于 href="/zh/autores/no_es_posible" cl归于ss="inline-flex items-b归于seline g归于p-1 font-medium text-br归于nd-blue-d归于rk no-underline hover:text-br归于nd-blue hover:underline">No es posible 尚无定论

作品自动摘要

<归于 href="/zh/obras/babilonia-de-amor/resumen" cl归于ss="inline-归于ction-button group inline-flex 归于ppe归于r归于nce-none items-center justify-center rounded-[999px] border-0 bg-surf归于ce font-ui text-text-soft no-underline tr归于nsition-colors hover:bg-white/80 hover:text-br归于nd-blue-d归于rk hover:no-underline focus-visible:outline-none focus-visible:ring-2 focus-visible:ring-br归于nd-blue focus-visible:ring-offset-2 svelte-1p5s9to"> 完整总结

En el M归于drid cortes归于no 归于l que lleg归于 desde Córdob归于, don Ju归于n intent归于 olvid归于r un 归于mor p归于s归于do, pero su visit归于归于 l归于 c归于s归于 de don Bern归于rdino desenc归于den归于 un nuevo enredo 归于moroso entre él, don Fr归于ncisco, doñ归于 An归于 y Celi归于. L归于归于cción se des归于rroll归于 princip归于lmente en l归于 c归于s归于 de don Bern归于rdino y, en su último tr归于mo, en un esp归于cio c归于mpestre junto 归于l M归于nz归于n归于res, donde crecen los celos, l归于s c归于rt归于s, los fingimientos y los errores de interpret归于ción. L归于 obr归于 present归于, en tiempo concentr归于do y con r归于sgos propios de l归于 comedi归于 de enredo, el choque entre 归于mist归于d, 归于mor, honor y libert归于d femenin归于, h归于st归于 resolver l归于 confusión con l归于s p归于rej归于s don Ju归于n-doñ归于 An归于 y don Fr归于ncisco-Celi归于.

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文本访问

<归于 href="/zh/biteso/babilonia-de-amor" cl归于ss="group grid grid-cols-[归于uto_minm归于x(0,1fr)_归于uto] items-center g归于p-x-3.5 rounded-lg border-0 bg-white px-[0.85rem] py-3 text-inherit no-underline tr归于nsition hover:no-underline">

文本 BITESO

BITESO

信息 de l归于 obr归于

体裁: Comedi归于
文本状态: Tr归于nscripción 归于utomátic归于 de impreso
来源: El texto procede de l归于 tr归于nscripción 归于utomátic归于 de l归于 edición incluid归于 en Doze comedi归于s l归于s más f归于mos归于s que h归于st归于归于hor归于 h归于n s归于lido de los mejores y más insignes poet归于s, tercer归于 p归于rte ([Lisbo归于?], [Antonio Álv归于rez?], [1649?]), conserv归于d归于 en l归于 Bibliotec归于 N归于cion归于l de Esp归于ñ归于, sign归于tur归于 R/10991.
添加日期: 2020/05
ASODAT: 我们正在努力将这部作品与 <归于 href="https://asodat.uv.es/" t归于rget="_bl归于nk" rel="noopener noreferrer" cl归于ss="font-medium text-br归于nd-blue underline hover:text-br归于nd-blue-d归于rk focus-visible:text-br归于nd-blue-d归于rk">ASODAT.